Categories
Past&Future

Lancaster/ Winter

The first of a series of quilts commissioned by Hines Interests for a David Child skyscraper in Cincinnati. There are four sets, each on a different season, so the tenants of the building have a change in their view all year long. Each season reflects on a different aspect of the quilt tradition.nine separate framed […]

Categories
Past&Future

Water

One of the earliest full-size quilts, built the oddest way, by quilting two sections, then slicing them up and reassembling them. This was part of a series of four Elements, a theme I’ve used often since.mixed textiles, machine pieced and quilted hand-guided quilted collage  6′ x 8′ ca1982

Categories
Past&Future

EKO quilt stack

Each year my team produced about ten or twelve new samples in Queen size, adding styles and colors to the line of about 30 quilts. I’d bring home orders, and redesign as fabrics became used up or irreplaceable. The team of 3 to 5 employees was headed by Lois Evans for 18 years.mixed textiles, machine […]

Categories
Past&Future

Peaceful Coexistence

A familiar theme, assembling fragments from previous works, creating dinner from available leftovers. This structure, and its wooden frame generated many a car payment.collage from couching, assembled, cut, reassembled, many times, quilted  4′ x 6′ ca 1990

Categories
Past&Future

Kimono/ Shadow

One of my favorites of the EKO designs. It was inspired by a depression-era quilt, in tatters but still eloquent, owned by dear friends. The menswear flavor recalls the frugal years when textiles were kept in service long after their original use. The design honors the Asian wrapping cloth, made from the diagonal scraps cut […]

Categories
Signatures

Tenuous Threads

This is a commission for Cynthia Boyer’s window, looking out over the Potomac from Alexandria, VA. I included several fragments from her studio, including some actual “chads” from the 2000 election. Silk, bookbinders glue, found objects  36″ x 72″2005

Categories
Signatures

Untitled

A commission using photographic images of leaves, rocks, and botanical elements, combined with the actual materials, made denser by the dark stained silk. Somehow the natural and artificial seem at home with each other here.Tea-stained silk, bookbinders glue, stitching, printed photographs, plants, feathers 36″ x 41″2005

Categories
Signatures

Tree Language

Homage to a profoundly influential book on the social implications of architecture. The background is made of patterns I acquired during research for my first job, as an assistant editor for the Vogue Sewing Book. This is where I applied and honed my skills at writing, re-writing, and page layout, and where I made my […]

Categories
Signatures

Pattern Language

Scraps of old projects seem to form the most fertile compost for my recent work. Many inspiring leftovers from the past 20 years are captured here, part of the handwritten saga. The many layers of glued silk approximate parchment, but no goats died, only silkworms. Silk organza (12 layers), bookbinders glue, found materials, linen thread  […]

Categories
Signatures

Disintegration Folio

My father collected my mother’s letters, written every day during WWII, including the ones the army shrunk for lighter weight shipping to France. After he died, she shredded them in a fit of emotional housekeeping, a profound lesson to me in letting go. Their mysteries are honored here.Silk organza, brown wrapping paper, beeswax, chile peppers, […]